CHEMILLIER-GENDREAU, Monique, De la guerre à la communauté universelle, Entre droit et politique, Paris, Fayard, 2013.
DELIÈGE, Robert, Contre (la) culture, Unpublished, 2014.
DI FRANCO, Ani, “Preface.” In River of Song, A Musical Journey Down the Mississippi, Wald, Elijah and John Junkerman, New-York, St Martin’s Press, 1999.
GREENE, Victor, A Passion for Polka: Old-Time Ethnic Music in America, Berkeley, University of California Press, 1992.
GRONOW, Pekka, “The Early Ethnic Record Industry in the US”, Liner notes, Stranded in America, Early Songs of Emigration. Trikont, 2005.
LACORNE, Denis, La Crise de l’identité américaine. Du melting pot au multiculturalisme, Paris, Fayard, 1997.
LAPLANTINE, François, Je, nous et les autres : êtres humains au-delà des appartenances, Paris, Le Pommier, 1999.
MAKDISI, Saree, “‘Postcolonial’ Literature in a Neocolonial World: Modern Arabic Culture and
the End of Modernity”, Boundary 2, vol. 22, N° 1 (Duke University Press, Spring, 1995), pp. 85-115.
REYES, Adelaida, Music in America. Experiencing Music, Expressing Culture, New York, Oxford
University Press, 2005.
SHARMA, Sanjay, “Re-mixing Identities: Off the Turn-Table”, In Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, Sanjay Sharma et al., eds., London, Zed, 1996 ; 81-104.
WAGNER, Christophe, “In the catacombs of old America, from the music of the immigrants to rock ’n’ roll”, Liner notes, Stranded in America, Early Songs of Emigration, Trikont, 2005.
FURTHER READING
General
COHEN, Norm, ed., Ethnic and Border Music: A Regional Exploration, Westport, Greenwood Press, 2007.
LORNELL, Kip, The NPR Curious Listener’s Guide to American Folk, New York, Grand Central Press, 2004.
LORNELL, Kip & Anne K. RASMUSSEN, eds., Musics of Multicultural America: A Study of Twelve Musical Communities, New York, Schirmer Books, 1997.
MALONE, Bill C. and David STRICKLIN, Southern Music/American Music, Lexington, The University Press of Kentucky, 2003.
SIMONETT, Helena, ed., The Accordion in the Americas. Klezmer, Polka, Tango, Zydeco, and More !, Urbana, University of Illinois Press, 2012.
SPOTTSWOOD, Richard K., Ethnic Music on Records. A Discography of Ethnic Recordings Produced in the United States, 1893 to 1942, 7 vols., Urbana, University of Illinois Press, 1990.
STOKES, Martin, ed., Ethnicity, Identity and Music, Providence, Berg, 1994.
TAYLOR, Timothy D., Global Pop: World Music, World Markets, New York, Routledge, 1997.
TURINO, Thomas and James LEA, eds., Identity and the Arts in Diaspora Communities, Detroit, Harmonie Park Press, 2004.
WALD, Elijah & John JUNKERMAN, River of Song, A Musical Journey Down the Mississippi, New York, St Martin’s Press, 1999.
Cajun and Zydeco
ANCELET, Barry J., “Zydeco/Zarico: Beans, Blues and Beyond”, Black Music Research Journal, vol. 8, n° 1, 1988, p. 33-49.
—, & Elemore MORGAN Jr., The Makers of Cajun Music: Musiciens cadiens et creoles, Austin, University of Texas Press, 1984.
BERNARD, Shane K., Swamp Pop: Cajun and Creole Rhythm and Blues, Jackson, University Press of Mississippi, 1996.
BORDERS, Florence E., “Researching Creole and Cajun Musics in New Orleans”, Black Music Research Journal, vol. 8, n° 1, 1988, p. 15-31.
BROVEN, John, South to Louisiana: The Music of the Cajun Bayous, Gretna, Pelican, 1983.
LE MENESTREL, Sara, “French music, Cajun, Creole, Zydeco”, Civilisations [Web], n° 53, 2005, on line 24/1/2009, consulted 29/3/2012, http://civilisations.revues.org/index579.html.
—, Negotiating Difference in French Louisiana Music: Categories, Stereotypes, and Identifications, Jackson, University Press of Mississippi, 2015.
MINTON, John, “Houston Creoles & Zydeco: the Emergence of an African American Urban Popular Style”, American Music, vol. 14, n° 4, 1996, p. 480-526.
SACRÉ, Robert, Musiques Cajun, Créole et Zydeco, Paris, Presses Universitaires de France, 1995.
SAVOY, Ann, Cajun Music, a Reflection of a People, Eunice, Bluebird Press, 1984.
TISSERAND, Michael, The Kingdom of Zydeco, New York, Arcade, 1998.
WOOD, Roger & James FRAHER, Texas Zydeco, Austin, University of Texas Press, 2006.
Chicano music
COHEN, Norm, ed., Ethnic and Border Music: A Regional Exploration, Westport, Greenwood Press, 2007.
EDBERG, Mark Cameron, El Narcotraficante: Narcocorridos and the Construction of a Cultural Persona on the U.S.-Mexican Border, Austin, University of Texas Press, 2004.
LORNELL, Kip and Anne K. RASMUSSEN, eds., Musics of Multicultural America: A Study of Twelve Musical Communities, New York, Schirmer Books, 1997.
LOZA, Steven, Barrio Rhythm: Mexican American Music in Los Angeles, Urbana and Chicago, University of Illinois Press, 1993.
MADRID, Alejandro L., Nor-tec Rifa! Electronic Dance Music from Tijuana to the World, New York, Oxford University Press, 2008.
—, Transnational Encounters: Music and Performance at the U.S.-Mexico Border, New York: Oxford University Press, 2011.
PAREDES, Américo, “With His Pistol in His Hand”: A Border Ballad and Its Hero, Austin, University of Texas Press, 1958.
—, A Texas-Mexican Cancionero: Folksongs of the Lower Border, Austin, University of Texas Press, 1995.
PEÑA, Manuel, The Texas-Mexican Conjunto: History of a Working-Class Music, Austin, University of Texas, 1985.
—, The Mexican American Orchestra: Music, Culture, and the Dialectic of Conflict, Austin, University of Texas Press, 1999.
—, Música Tejana: The Cultural Economy of Artistic Transformation, College Station, Texas A & M University Press, 1999.
RAGLAND, Catherine, Música Norteña: Mexican Migrants Creating a Nation between Nations, Philadelphia, Temple University Press, 2009.
REYES, David, and Tom WALDMAN, Land of a Thousand Dances: Chicano Rock ’n’ Roll from Southern California, Albuquerque, University of New Mexico Press, 2009.
SAN MIGUEL Jr., Guadalupe, Tejano Proud: Tex-Mex Music in the Twentieth Century, College Station, Texas A & M University Press, 2002.
SHEEHY, Daniel, Mariachi Music in America: Experiencing Music, Expressing Culture, Oxford, Oxford University Press, 2005.
SIMONETT, Helena, Banda: Mexican Musical Life Across Borders, Hanover & London, Wesleyan University Press, 2001.
TEJEDA, Juan and Avelardo VALDÉZ, eds., Puro Conjunto: An Album in Words and Pictures, Austin, University Press of Texas, 2001.
WALD, Elijah, Narcocorrido. A Journey Into the Music of Drugs, Guns, and Guerillas, New York, Rayo, 2001.
Bhangra
DIETHRICH, Gregory, “Desi Music Vibes: The Performance of Indian Youth Culture in Chicago”, Asian Music vol. 31, No. 1 (Autumn 1999 - Winter 2000): 35-61.
—, “Dancing the Diaspora: Indian Desi Music in Chicago”, Identity and the Arts in Diaspora Communities, Thomas Turino and James Lea, eds., Detroit, Harmonie Park Press, 2004, 104-115.
ROY, Anjali Gera, Bhangra Moves: From Ludhiana to London and Beyond, Aldersgate, Ashgate 2010.
SANJAY, Sharma et al, eds., Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, London, Zed, 1996.
WARWICK, Jacqueline, “Can Anyone Dance to this Music? A Study of Toronto’s Bhangra scene”, Bansuri, vol. 12 (1995): 5-17.
Polka
DOLGAN, Bob, America’s Polka King: the Real Story of Frankie Yankovic and his Music, Cleveland, Gray & Company, 2006.
GREENE, Victor, A Passion for Polka: Old-Time Ethnic Music in America, Berkeley, University of California Press, 1992.
KEIL, Charles, Angeliki V. KEIL, and Dick BLAU, Polka Happiness, Philadelphia, Temple University Press, 1992.
LEARY, James P., Polkabilly: How the Goose Island Ramblers Redefined American Folk Music, New York, Oxford University Press, 2006.
MARCH, Richard, The Tamburitza Tradition, Madison, University of Wisconsin Press, 2013.